His imagination and creativity shine throughout. The degree of reference ranges from quoted melodies and figurations to more abstract affinities, but in every case Sumino carries Chopin's sensibility forward whilst crossing it with his own contemporary voice. Raindrop Postlude, for instance, unfolds with the feeling of a jazz improvisation. Transposed up by a half-step from Chopin's original flat key into a sharp key, it gains a sense of clarity and brightness—fresh air after rain. Embedded within lies a hidden four-note motif (second, octave, tonic, fifth, spelling out "28/15") as cryptic homage to the original's opus number.

As a passionate advocate for her instrument, Harman – appointed solo bassoon of the Philharmonia Orchestra at just twenty-three and currently principal bassoon of the Aurora Orchestra – showcases her skills not merely as a soloist and chamber musician, but as an eloquent communicator. Her thoughtfully curated programme demonstrates the bassoon's capacity to transcend its sometimes comedic image and become, in her words, "a voice".

For a band that has been heavily influenced by the likes of Green Day and Blink 182, before the imminent arrival of All Time Low at Co-op Live in Manchester, the contrasting sounds of the ELO track Mr.