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Steve Whitaker
Features Writer
@stevewhitaker1.bsky.social
P.ublished 24th October 2026
arts

Poem Of The Week: All By Alison Brackenbury

All

And all who died, from winter's sleet,
From flu, from guns, from cells gone wrong,
Still stand, one breath from fingers' reach,
Just out of touch, all colour gone.

The dead grow smaller. From a train
Mist takes the fields, drinks green to grey,
The fog has swept across their face.
In yard or park, they walk away,

Then wait in rooms, without a fire,
With tea uncleared, without a fuss;
In cushioned chairs, now closer drawn,
Nod to each other, not to us.

But in mid age it is not strange
To glimpse them, in the windy street,
Quiet at the kerb, who are all dead,
From guns, cruel cells, or winter's heat.


The even iambics of Alison Brackenbury's fine exploration of age and insight roll into the shadows of perception; the steady rhythm of her narrator's gaze ushers in an inevitability: 'mid age', as Larkin found, is the age at which ghosts begin to haunt the imagination, if not also the vision, of the perceiver, like mirrors to finitude, to the certainty of non-being.

And it is ironic that such wraiths may be palpable; not occasioning a scream of terror, like Larkin's 'Old Fools' ought, but furnishing, instead, a vision of a parallel landscape, actively drained of colour - as 'Mist takes the fields, drinks green to grey' - where denizens proceed in silent mimesis of their quotidian fore-lives.

The poem whose funereal pace is intended as neither warning nor intimation, but rather as a simple recognition of the cargo that loss may carry in its wake, is hauntingly rendered; Brackenbury's harnessing of form in the service of mood and meaning - the ghosts are beyond reach as they pursue the observance of ritual in now empty rooms - is achieved in a kind of quietus, save for the nod that is observable only to the dead.

There is a sense of diminishment - the ghosts are reduced, as they were taken with capricious disregard from life, by war, by epidemic influenza, by cancer. Brackenbury's final line reiterates her opening words, with the addition of an achingly telling oxymoron, whose distilled eloquence bespeaks the deathly presence of a fever in winter.




'All' is taken from Gallop: Selected Poems, published by Carcanet (2019), and is reproduced here with the kind permission of the author.

More information here.

The shortened address for this article is: newspub.uk/121ew
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